What are the most anticipated book releases of 2017? We looked at 28 ‘Most Anticipated’ book lists, aggregating and ranking the 377 different titles listed within to answer that very question!
2017 is our second year of aggregating together the ‘Most Anticipated Book Release’ lists. We took a look at last years list and then compared it to our aggregated ‘Best of 2016‘ lists and were surprised to see quite a few of the most anticipated books lived up to their promise. However, the most anticipated book from last year’s list did not do too hot, so who knows.
Weirdly, this years list actually has a book that appeared on 2016’s list as well, George R.R. Martins long awaited The Winds of Winter. Not going to lie, there is a pretty good chance that will be a yearly entry on these articles.
Below are the top 31 books, all appearing on 4 or more lists, including images, summaries and links to learn more / pre-order. The additional 346 books, all appearing on 3 lists or less, as well as the 28 sources we used are at the bottom of the page.
Happy Scrolling!
“In this striking, enormously affecting novel, Joyce Carol Oates tells the story of two very different and yet intimately linked American families. Luther Dunphy is an ardent Evangelical who envisions himself as acting out God’s will when he assassinates an abortion provider in his small Ohio town while Augustus Voorhees, the idealistic doctor who is killed, leaves behind a wife and children scarred and embittered by grief.
In her moving, insightful portrait, Joyce Carol Oates fully inhabits the perspectives of two interwoven families whose destinies are defined by their warring convictions and squarely-but with great empathy-confronts an intractable, abiding rift in American society. “
Londons fall and kingdoms rise while darkness sweeps the Maresh Empire, and the fraught balance of magic blossoms into dangerous territory while heroes struggle. The direct sequel to A Gathering of Shadows, and the final book in the Shades of Magic epic fantasy series, A Conjuring of Light sees the newly minted New York Times bestselling author V. E. Schwab reach a thrilling conclusion concerning the fate of beloved protagonists–and old foes.
“In her phenomenally popular essays and long-running Tumblr blog, Roxane Gay has written with intimacy and sensitivity about food and body, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she explores her past—including the devastating act of violence that acted as a turning point in her young life—and brings readers along on her journey to understand and ultimately save herself.
With the bracing candor, vulnerability, and power that have made her one of the most admired writers of her generation, Roxane explores what it means to learn to take care of yourself: how to feed your hungers for delicious and satisfying food, a smaller and safer body, and a body that can love and be loved—in a time when the bigger you are, the smaller your world becomes.”
“Profoundly moving and gracefully told, PACHINKO follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them. Betrayed by her wealthy lover, Sunja finds unexpected salvation when a young tubercular minister offers to marry her and bring her to Japan to start a new life.
So begins a sweeping saga of exceptional people in exile from a homeland they never knew and caught in the indifferent arc of history. In Japan, Sunja’s family members endure harsh discrimination, catastrophes, and poverty, yet they also encounter great joy as they pursue their passions and rise to meet the challenges this new home presents. Through desperate struggles and hard-won triumphs, they are bound together by deep roots as their family faces enduring questions of faith, family, and identity.”
“Mack McAllister has a $600 million dollar idea. His mindfulness app, TakeOff, is already the hottest thing in tech and he’s about to launch a new and improved version that promises to bring investors running and may turn his brainchild into a $1 billion dollar business–in startup parlance, an elusive unicorn.
Katya Pasternack is hungry for a scoop that will drive traffic. An ambitious young journalist at a gossipy tech blog, Katya knows that she needs more than another PR friendly puff piece to make her the go-to byline for industry news. “
In the collection’s title essay, Gerard volunteers at the Suncoast Seabird Sanctuary, a world renowned bird refuge. There she meets its founder, who once modeled with a pelican on his arm for a Dewar’s Scotch campaign but has since declined into a pit of fraud and madness. He becomes our embezzling protagonist whose tales about the birds he “rescues” never quite add up. Gerard’s personal stories are no less eerie or poignant: An essay that begins as a look at Gerard’s first relationship becomes a heart-wrenching exploration of acquaintance rape and consent. An account of intimate female friendship pivots midway through, morphing into a meditation on jealousy and class.
“Ingrid Coleman writes letters to her husband, Gil, about the truth of their marriage, but instead of giving them to him, she hides them in the thousands of books he has collected over the years. When Ingrid has written her final letter she disappears from a Dorset beach, leaving behind her beautiful but dilapidated house by the sea, her husband, and her two daughters, Flora and Nan.
Twelve years later, Gil thinks he sees Ingrid from a bookshop window, but he’s getting older and this unlikely sighting is chalked up to senility. Flora, who has never believed her mother drowned, returns home to care for her father and to try to finally discover what happened to Ingrid. But what Flora doesn’t realize is that the answers to her questions are hidden in the books that surround her. Scandalous and whip-smart, Swimming Lessons holds the Coleman family up to the light, exposing the mysterious truths of a passionate and troubled marriage. “
“Inspired by the Black Lives Matter movement, Angie Thomas’s searing debut about an ordinary girl in extraordinary circumstances addresses issues of racism and police violence with intelligence, heart, and unflinching honesty. Soon to be a major motion picture from Fox 2000/Temple Hill Productions.
Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.”
“THIS IS THE WAY THE WORLD ENDS… FOR THE LAST TIME.
The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.
Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.
For Nassun, her mother’s mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.”
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High in the Hollywood Hills, writer Lady Daniels has decided to take a break from her husband. She’s going to need a hand with her young son if she’s ever going to finish her memoir. In comes S, a magnetic young artist, who will live in the secluded guest house out back, care for Lady’s young toddler son, and keep a watchful eye on her older, teenage, one. S performs her day job beautifully, quickly drawing the entire family into her orbit, and becoming a confidante for Lady. But as the summer wears on, S’s connection to Lady’s older son takes a disturbing, and possibly destructive, turn. Lady and S will move closer to one another as they both threaten to harm the things they hold most dear. Darkly comic, twisty and tense, this mesmerizing new novel defies expectation and proves Edan Lepucki to be one of the most talented and exciting voices of her generation.
“A young woman has agreed with her faithless husband: it’s time for them to separate. For the moment it’s a private matter, a secret between the two of them. As she begins her new life, she gets word that Christopher has gone missing in a remote region in the rugged south of Greece; she reluctantly agrees to go look for him, still keeping their split to herself. In her heart, she’s not even sure if she wants to find him. As her search comes to a shocking breaking point, she discovers she understands less than she thought she did about her relationship and the man she used to love.
A searing, suspenseful story of intimacy and infidelity, A Separation lays bare the guilt that divides us from the inner lives of others. With exquisitely cool precision, Katie Kitamura propels us into the experience of a woman on edge, with a fiercely mesmerizing story to tell.”
Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.
“When Griffin’s first love and ex-boyfriend, Theo, dies in a drowning accident, his universe implodes. Even though Theo had moved to California for college and started seeing Jackson, Griffin never doubted Theo would come back to him when the time was right. But now, the future he’s been imagining for himself has gone far off course.
To make things worse, the only person who truly understands his heartache is Jackson. But no matter how much they open up to each other, Griffin’s downward spiral continues. He’s losing himself in his obsessive compulsions and destructive choices, and the secrets he’s been keeping are tearing him apart.
If Griffin is ever to rebuild his future, he must first confront his history, every last heartbreaking piece in the puzzle of his life.”
There’s something eerily unsettling about Ottessa Moshfegh’s stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O’Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We’re in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
Everything about fifteen-year-old Cat’s new town in rural Michigan is lonely and off-kilter, until she meets her neighbor, the manic, beautiful, pill-popping Marlena. Cat, inexperienced and desperate for connection, is quickly lured into Marlena’s orbit by little more than an arched eyebrow and a shake of white-blond hair. As the two girls turn the untamed landscape of their desolate small town into a kind of playground, Cat catalogues a litany of firsts―first drink, first cigarette, first kiss―while Marlena’s habits harden and calcify. Within the year, Marlena is dead, drowned in six inches of icy water in the woods nearby. Now, decades later, when a ghost from that pivotal year surfaces unexpectedly, Cat must try to forgive herself and move on, even as the memory of Marlena keeps her tangled in the past.
“The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.
At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan’s friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin’s summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.”
With the coruscating gaze that informed The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration. The second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.
In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In “The Future Looks Good,” three generations of women are haunted by the ghosts of war, while in “Light,” a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to “fix the equation of a person” – with rippling, unforeseen repercussions.
Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America’s great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it’s a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter’s troubled sister Leonie, spiral down into the heart of the nation’s darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.
“Who is Andrea Bern? When her therapist asks the question, Andrea knows the right things to say: she’s a designer, a friend, a daughter, a sister. But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke.
But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.”
The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister’s marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Gay delivers a wry, beautiful, haunting vision of modern America reminiscent of Merritt Tierce, Jamie Quatro, and Miranda July.
“Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.
Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.”
“In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki―son of a giant―blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor’s hammer is stolen, Thor must disguise himself as a woman―difficult with his beard and huge appetite―to steal it back. More poignant is the tale in which the blood of Kvasir―the most sagacious of gods―is turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people.”
Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles–and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies’ brunch at the Mississippi Broadcasters’ Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the “California Notes” that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From.
With the stylistic brilliance and subtle power that distinguish the work of this great writer, Elizabeth Strout has created another transcendent work of fiction, with characters who will live in readers’ imaginations long after the final page is turned.
In House of Names, Colm Tóibín brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra’s thirst for revenge, but applaud it. He brilliantly inhabits the mind of one of Greek myth’s most powerful villains to reveal the love, lust, and pain she feels. Told in fours parts, this is a fiercely dramatic portrait of a murderess, who will herself be murdered by her own son, Orestes. It is Orestes’ story, too: his capture by the forces of his mother’s lover Aegisthus, his escape and his exile. And it is the story of the vengeful Electra, who watches over her mother and Aegisthus with cold anger and slow calculation, until, on the return of her brother, she has the fates of both of them in her hands.
“A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.
Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother’s sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she’d never return.
With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.”
“Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.
As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.”
“In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . .
Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.”
“February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.”
| # | Book | Author | Source |
| (Books Appear On 3 Lists Each) | |||
| 32 | Autumn | Ali Smith | Time |
| The Millions | |||
| Elle | |||
| 33 | Caraval | Stephanie Garber | Many Books |
| Paste | |||
| Fully Booked | |||
| 34 | Fever Dream | Samanta Schweblin, (Author), Megan McDowell (Translator) | Book Riot |
| The Millions | |||
| Elle | |||
| 35 | Human Acts | Han Kang | The Millions |
| NY Times | |||
| Bustle | |||
| 36 | Ill Will | Dan Chaon | Chicago Tribune |
| The Millions | |||
| Vulture | |||
| 37 | Little Deaths | Emma Flint | Entertainment Weekly |
| Picador | |||
| The telegraph | |||
| 38 | Our Dark Duet | Victoria Schwab | Buzzfed |
| Paste | |||
| Fully Booked | |||
| 39 | Sing, Unburied, Sing | Jesmyn Ward | The Millions |
| Vulture | |||
| NY Times | |||
| 40 | Skullsworn | Brian Staveley | io9 |
| Inverse | |||
| The Verge | |||
| 41 | Sorry to Disrupt the Peace | Patty Yumi Cottrell | Chicago Tribune |
| Nylon | |||
| Vulture | |||
| 42 | Sour Heart | Jenny Zhang | Nylon |
| The Millions | |||
| Vulture | |||
| 43 | The Book of Joan | Lidia Yuknavitch | Nylon |
| The Millions | |||
| Elle | |||
| 44 | The Leavers | Lisa Ko | Nylon |
| The Millions | |||
| Bustle | |||
| 45 | The Nix | Nathan Hill | Picador |
| BBC | |||
| The National | |||
| 46 | The Rules Do Not Apply | Ariel Levy | Nylon |
| NY Times | |||
| Web Writer Spotlight | |||
| 47 | The Twelve Lives of Samuel Hawley | Hannah Tinti | Nylon |
| The Millions | |||
| Elle | |||
| 48 | The Wanderers | Meg Howrey | Book Riot |
| Nylon | |||
| The Verge | |||
| 49 | Transit | Rachel Cusk | Time |
| Nylon | |||
| The Millions | |||
| (Books Appear On 2 Lists each) | |||
| 50 | All Our Wrong Todays | Elan Mastai | Entertainment Weekly |
| Bustle | |||
| 51 | Always Happy Hour | Mary Miller | Chicago Tribune |
| Book Riot | |||
| 52 | Amiable With Big Teeth | Claude McKay | Time |
| The Millions | |||
| 53 | Autonomous | Annalee Newitz | io9 |
| The Verge | |||
| 54 | Barbary Station | R.E. Stearns | io9 |
| The Verge | |||
| 55 | Beren and Luthien | J.R.R. Tolkien | The Verge |
| io9 | |||
| 56 | Borne | Jeff VanderMeer | NY Times |
| Vulture | |||
| 57 | By Your Side | Kasie West | Random Musings of a Bibliophile |
| Buzzfed | |||
| 58 | Dear Friend, from My Life I Write to You in Your Life | Yiyun Li | Kirkus |
| The Millions | |||
| 59 | Dragon Teeth | Michael Crichton | io9 |
| The Verge | |||
| 60 | Empress of a Thousand Skies | Rhoda Belleza | Paste |
| Inverse | |||
| 61 | Foreign Soil | Maxine Beneba Clarke | The Millions |
| Elle | |||
| 62 | Gilded Cage | Vic James | io9 |
| Inverse | |||
| 63 | Hit Refresh | Satya Nadella | Time |
| Web Writer Spotlight | |||
| 64 | Hourglass: Time, Memory, Marriage | Dani Shapiro | Great New Books |
| Nylon | |||
| 65 | Idaho | Emily Ruskovich | Nylon |
| NY Times | |||
| 66 | Imagine Wanting Only This | Kristen Radtke | Nylon |
| The Millions | |||
| 67 | Istanbul: A Tale of Three Cities | Bettany Hughes | BBC |
| The telegraph | |||
| 68 | Letters to a Young Muslim | Omar Saif Ghobash | Time |
| Picador | |||
| 69 | Lucky Boy | Shanthi Sekaran | The Millions |
| Bustle | |||
| 70 | Luna: Wolf Moon | Ian McDonald | io9 |
| The Verge | |||
| 71 | Made for Love | Alyssa Nutting | Nylon |
| The Millions | |||
| 72 | Nevertheless | Alec Baldwin | Entertainment Weekly |
| BBC | |||
| 73 | New York 2140 | Kim Stanley Robinson | io9 |
| The Verge | |||
| 74 | No One Is Coming to Save Us | Stephanie Powell Watts | Nylon |
| Elle | |||
| 75 | One Day We’ll All Be Dead and None of This Will Matter | Scaachi Koul | The Globe & Mail |
| The Millions | |||
| 76 | Our Little Racket | Angelica Baker | Entertainment Weekly |
| Elle | |||
| 77 | Perfect Little World | Kevin Wilson | Kirkus |
| The Millions | |||
| 78 | Radiate | C.A. Higgins | io9 |
| The Verge | |||
| 79 | Raven Stratagem | Yoon Ha Lee | io9 |
| The Verge | |||
| 80 | Salt Houses | Hala Alyan | Book Riot |
| The Millions | |||
| 81 | Selection Day | Aravind Adiga | Nylon |
| The Millions | |||
| 82 | Somebody With a Little Hammer | Mary Gaitskill | Chicago Tribune |
| NY Times | |||
| 83 | Star Wars Aftermath: Empire’s End | Chuck Wendig | The Verge |
| io9 | |||
| 84 | Strange the Dreamer | Laini Taylor | Fully Booked |
| Inverse | |||
| 85 | Stranger Baby | Emily Berry | BBC |
| The telegraph | |||
| 86 | The Airbnb Story | Leigh Gallagher | Web Writer Spotlight |
| Chicago Tribune | |||
| 87 | The Art of the Affair: An Illustrated History of Love, Sex and, Artistic Influence | Catherine Lacey | Nylon |
| Web Writer Spotlight | |||
| 88 | The Collapsing Empire | John Scalzi | The Verge |
| io9 | |||
| 89 | The Dinner Party and Other Stories | Joshua Ferris | The Millions |
| Book Riot | |||
| 90 | The Flame in the Mist | Renée Ahdieh | Many Books |
| Buzzfed | |||
| 91 | The Gringo Champion | Aura Xilonen | Nylon |
| The Millions | |||
| 92 | The Gypsy Moth Summer | Julia Fierro | Nylon |
| The Millions | |||
| 93 | The H Spot: The Feminist Pursuit of Happiness | Jill Filipovic | Time |
| Web Writer Spotlight | |||
| 94 | The Impossible Fortress | Jason Rekulak | Entertainment Weekly |
| Bustle | |||
| 95 | The Last Neanderthal | Claire Cameron | The Globe & Mail |
| The Millions | |||
| 96 | The Lonely Hearts Hotel | Heather O’Neill | Kirkus |
| The Globe & Mail | |||
| 97 | The Ministry of Utmost Happiness | Arundhati Roy | The National |
| Web Writer Spotlight | |||
| 98 | The Nothing | Hanif Kureishi | The National |
| BBC | |||
| 99 | The Secrets of My Life | Caitlyn Jenner | Entertainment Weekly |
| Time | |||
| 100 | The Seventh Function of Language | Laurent Binet | Time |
| The Millions | |||
| 101 | The Song Rising | Samantha Shannon | Buzzfed |
| Fully Booked | |||
| 102 | The Stars Are Legion | Kameron Hurley | io9 |
| The Verge | |||
| 103 | The Strange Case of the Alchemist’s Daughter | Theodora Goss | The Verge |
| io9 | |||
| 104 | The Upside of Unrequited | Becky Albertalli | Buzzfed |
| Paste | |||
| 105 | Theft by Finding: Diaries (1977–2002) | David Sedaris | NY Times |
| Vulture | |||
| 106 | Things We Lost in the Fire: Stories | Mariana Enriquez | The Millions |
| Book Riot | |||
| 107 | This Is Just My Face | Gabourey Sidibe | Entertainment Weekly |
| Nylon | |||
| 108 | Thrawn | Timothy Zahn | io9 |
| The Verge | |||
| 109 | Too Much and Not in the Mood | Durga Chew-Bose | Vulture |
| Nylon | |||
| 110 | Trajectory | Richard Russo | Chicago Tribune |
| The Millions | |||
| 111 | Universal Harvester | John Darnielle | The Millions |
| Bustle | |||
| 112 | Walkaway | Cory Doctorow | io9 |
| The Verge | |||
| 113 | We Are Never Meeting in Real Life | Samantha Irby | Nylon |
| Vulture | |||
| 114 | What We Lose | Zinzi Clemmons | The Millions |
| Elle | |||
| 115 | Wintersong | S. Jae-Jones | Paste |
| Inverse | |||
| 116 | You Don’t Have to Say You Love Me | Sherman Alexie | Entertainment Weekly |
| Time | |||
| (Books Appear On 1 List each) | |||
| 117 | 27 Hours | Tristina Wright | Paste |
| 118 | 300 Arguments | Sarah Manguso | The Millions |
| 119 | A Bridge Across the Ocean | Susan Meissner | Overweight Bookshelf |
| 120 | A Colony in a Nation | Chris Hayes | Nylon |
| 121 | A Court of Wings and Ruin | Sarah J. Maas | Buzzfed |
| 122 | A Gathering of Ravens | Scott Oden | Inverse |
| 123 | A Man of Shadows | Jeff Noon | io9 |
| 124 | A Matter of Trust | Susan May Warren | Overweight Bookshelf |
| 125 | A Moonbow Night | Laura Frantz | Overweight Bookshelf |
| 126 | A Mother’s Tale | Phillip Lopate | The Millions |
| 127 | A PIECE OF THE WORLD | Christina Baker Kline | Great New Books |
| 128 | A REALLY GOOD DAY: HOW MICRODOSING MADE A MEGA DIFFERENCE IN MY MOOD, MY MARRIAGE, AND MY LIFE | Ayelet Waldman | Kirkus |
| 129 | A Stranger at Fellsworth | Sarah E Ladd | Overweight Bookshelf |
| 130 | A Word for Love: A Novel | The National | |
| 131 | A Writing Life: Helen Garner and Her Work | Bernadette Brennan | Web Writer Spotlight |
| 132 | Abandon Me | Melissa Febos. Febos’s gifts as a writer seemingly increase with the types of subjects and themes that typically falter in the hands of many memoirists | The Millions |
| 133 | All The Dirty Parts | Daniel Handler | Entertainment Weekly |
| 134 | All the Lives I Want | Alana Massey | Nylon |
| 135 | Always and Forever, Lara Jean | Jenny Han | Buzzfed |
| 136 | Amberlough | Lara Elena Donnelly | The Verge |
| 137 | American Berserk | Bill Morris | The Millions |
| 138 | American Street | Obi Zoboi | Random Musings of a Bibliophile |
| 139 | An Awakened Heart | Jody Hedlund | Overweight Bookshelf |
| 140 | An Oath of Dogs | Wendy Wagner | io9 |
| 141 | An Uninterrupted View of the Sky | Melanie Crowder | Random Musings of a Bibliophile |
| 142 | And Now We Have Everything | Meaghan O’Connell | The Millions |
| 143 | And So On | Kiese Laymon | The Millions |
| 144 | And We’re Off | Dana Schwartz | Vulture |
| 145 | Assassin’s Fate | Robin Hobb | The Verge |
| 146 | At the Lightning Field | Laura Raicovich | Nylon |
| 147 | At the Table of Wolves | Kay Kenyon | io9 |
| 148 | Avengers of the Moon | Allen Steele | The Verge |
| 149 | Bad Dreams and Other Stories | Tessa Hadley | The Millions |
| 150 | Bad Romance | Heather Demetrios | Random Musings of a Bibliophile |
| 151 | Between Them: Remembering My Parents | Richard Ford | Chicago Tribune |
| 152 | Binti: Home | Nnedi Okorafor | The Verge |
| 153 | BLACK MAD WHEEL | Josh Malerman | Great New Books |
| 154 | Blind Spot | Teju Cole | Vulture |
| 155 | Body Horror: Misogyny and Capitalism | Anne Elizabeth Moore | Chicago Tribune |
| 156 | Bread of Angels | Tessa Afshar | Overweight Bookshelf |
| 157 | Cannibalism: A Perfectly Natural History | Bill Schutt | Book Riot |
| 158 | Carve The Mark | Veronica Roth | Many Books |
| 159 | Celine | Peter Heller | Entertainment Weekly |
| 160 | Chalk | Paul Cornell | io9 |
| 161 | Chemistry | Weike Wang | The Millions |
| 162 | Christodora | Tim Murphy | Picador |
| 163 | Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century | Chuck Klosterman | Chicago Tribune |
| 164 | Collected Stories | E.L. Doctorow | The Millions |
| 165 | Cormoran Strike #4 | Robert Galbraith | Great New Books |
| 166 | Crossroads of Canopy | Thoraiya Dyer | The Verge |
| 167 | Dark at the Crossing | The National | |
| 168 | Dark Sky | Mike Brooks | The Verge |
| 169 | DC Trip | Sarah Benincasa | Nylon |
| 170 | Dear Cyborgs | Eugene Lim | The Millions |
| 171 | Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions | Chimamanda Ngozi Adichie | Chicago Tribune |
| 172 | Devil on the Cross | Ngũgĩ wa Thiong’o | The Millions |
| 173 | Dichronauts | Greg Egan | io9 |
| 174 | Don’t Be a Dick, Pete | BBC | |
| 175 | Dr. Edith Vane and the Hares of Crawley Hall | Suzette Mayr | The Globe & Mail |
| 176 | Eat Only When You’re Hungry | Lindsay Hunter | Nylon |
| 177 | Eleanor Oliphant is Completely Fine | BBC | |
| 178 | Embrace at Brooklyn Bridge | The National | |
| 179 | Endurance | Scott Kelly | Entertainment Weekly |
| 180 | Enigma Variations | André Aciman | The Millions |
| 181 | Etched in Bone (The Others #5) | Anne Bishop | Fully Booked |
| 182 | Everybody’s Son | Thrity Umagar | Nylon |
| 183 | Fathers and Sons | Howard Cunnell | Picador |
| 184 | First Watch | Dale Lucas | io9 |
| 185 | Flâneuse | Lauren Elkin | The Millions |
| 186 | For Love and Honor | Jody Hedlund | Overweight Bookshelf |
| 187 | Forever On: A Novel of Silicon Valley | Rob Reid | io9 |
| 188 | Gainsborough: A Portrait | BBC | |
| 189 | Geekerella | Ashley Boston | Random Musings of a Bibliophile |
| 190 | Get Well Soon | Jennifer Wright | Nylon |
| 191 | Glaxo | Hernán Ronsino | The Millions |
| 192 | Goodbye Days | Jeff Zentner | Paste |
| 193 | Goodbye Vitamin | Rachel Khong | Entertainment Weekly |
| 194 | Greatest Hits | BBC | |
| 195 | Hallelujah Anyway: Rediscovering Mercy | Anne Lamott | Chicago Tribune |
| 196 | Heather | Matthew Weiner | Entertainment Weekly |
| 197 | Hello, Universe | Erin Entrada Kelly | Random Musings of a Bibliophile |
| 198 | Here We Are: Feminism for the Real Worldedited | Kelly Jensen | Paste |
| 199 | High as the Heavens | Kate Breslin | Overweight Bookshelf |
| 200 | Honestly Ben | Bill Konigsberg | Fully Booked |
| 201 | How to Murder Your Life | Cat Marnell | Nylon |
| 202 | How to Stop Time | Matt Haig | Guardian |
| 203 | Huck Out West | Robert Coover | The Millions |
| 204 | I Hear She’s A Real Bitch | Jen Agg | The Globe & Mail |
| 205 | Illuminae Files #3 (Title Forthcoming) | Amie Kaufman and Jay Kristoff | Buzzfed |
| 206 | In Calabria | Peter S. Beagle | io9 |
| 207 | In the Name of the Family | Sarah Dunant | Guardian |
| 208 | IN THIS GRAVE HOUR | Jacqueline Winspear | Great New Books |
| 209 | Indigo | Charlaine Harris | io9 |
| 210 | Infinity Engine | Neal Asher | io9 |
| 211 | Innocents and Others | Dana Spiotta | Picador |
| 212 | Iron Gold | Pierce Brown | Inverse |
| 213 | Isadora | Amelia Gray | The Millions |
| 214 | Jane in Austin | Hillary Manton Lodge | Overweight Bookshelf |
| 215 | Just Getting Started | BBC | |
| 216 | Killers of the Flower Moon | David Grann | Vulture |
| 217 | King’s Cage | Victoria Aveyard | Buzzfed |
| 218 | Kingdom of the Young | Edie Meidav | The Millions |
| 219 | Large Animals | Jess Arndt | Elle |
| 220 | Life After | Katie Ganshert | Overweight Bookshelf |
| 221 | Lillian Boxfish Takes a Walk | Kathleen Rooney | Chicago Tribune |
| 222 | Lincoln’s Lieutenants: The High Command of the Army of the Potomac | Stephen W. Sears | Chicago Tribune |
| 223 | Lines in the Sand | BBC | |
| 224 | Little & Lion | Brandy Colbert | Paste |
| 225 | Little Heaven | Nick Cutter | The Globe & Mail |
| 226 | Little Sister | Barbara Gowdy | The Globe & Mail |
| 227 | Lord of Shadows | Cassandra Clare | Buzzfed |
| 228 | Lower Ed | Tressie McMillan Cottom | The Millions |
| 229 | Men Walking On Water | Emily Schultz | The Globe & Mail |
| 230 | Midnight Without a Moon | Linda Williams Jackson | Random Musings of a Bibliophile |
| 231 | Minecraft: The Island | Max Brooks | io9 |
| 232 | Miss Ellicott’s School for the Magically Minded | Sage Blackwood | Random Musings of a Bibliophile |
| 233 | Monster Hunter: Siege | Larry Correia | io9 |
| 234 | Moonglow | Michael Chabon | The telegraph |
| 235 | Never Forget | Jody Hedlund | Overweight Bookshelf |
| 236 | New Boy | BBC | |
| 237 | No One Can Pronounce My Name | Rakesh Satyal | The Millions |
| 238 | No Road to Paradise | The National | |
| 239 | Notes of a Crocodile | Qiu Miaojin, translated | Elle |
| 240 | Off Rock | Kieran Shea | io9 |
| 241 | Once and for All | Sarah Dessen | Buzzfed |
| 242 | One Dark Throne | Kendare Blake | Buzzfed |
| 243 | Paper Aeroplanes and Goose with The Cows | BBC | |
| 244 | Persepolis Rising | James S.A. Corey | The Verge |
| 245 | Phone | BBC | |
| 246 | Piecing me Together | Renée Watson | Random Musings of a Bibliophile |
| 247 | Priestdaddy | Patricia Lockwood | Vulture |
| 248 | Proof of Concept | Gwyneth Jones | io9 |
| 249 | Ragdoll | BBC | |
| 250 | Reincarnation Blues | Michael Poore | io9 |
| 251 | Rescue Me | Susan May Warren | Overweight Bookshelf |
| 252 | REST IN POWER: THE ENDURING LIFE OF TRAYVON MARTIN | Sybrina Fulton, Tracy Martin | Kirkus |
| 253 | Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks | Quraysh Ali Lansana and Sandra Jackson-Opoku | Chicago Tribune |
| 254 | RoseBlood | A.G. Howard | Buzzfed |
| 255 | Roughneck | Jeff Lemire | The Globe & Mail |
| 256 | Running | Cara Hoffman | The Millions |
| 257 | Scratch: Writers, Money, and the Art of Making a Living, edited | Manjula Martin | The Millions |
| 258 | See What I Have Done | Sarah Schmidt | Entertainment Weekly |
| 259 | Seven Surrenders | Ada Palmer | The Verge |
| 260 | Shadowbahn | NY Times | |
| 261 | Sharp | Michelle Dean | The Millions |
| 262 | Silence Fallen (Mercy Thompson #10) | Patricia Briggs | Fully Booked |
| 263 | Since We Fell | Dennis Lehane | Chicago Tribune |
| 264 | Sip | Brian Allen Carr | Book Riot |
| 265 | Six Feet Over | Max Gladstone | The Verge |
| 266 | Six Four | Hideo Yokoyama | Time |
| 267 | Six Wakes | Mur Lafferty | The Verge |
| 268 | So Much Blue | Percival Everett | The Millions |
| 269 | Son of a Trickster | Eden Robinson | The Globe & Mail |
| 270 | Sonora | Hannah Lillith Assadi | Elle |
| 271 | Spoonbenders | Daryl Gregory | The Verge |
| 272 | Stay with Me | Ayobami Adebayo | Nylon |
| 273 | Stephen Florida | Gabe Habash | Nylon |
| 274 | Still Life | Dani Pettrey | Overweight Bookshelf |
| 275 | Storm in a Teacup: The Physics of Everyday Life | Helen Czerski | Book Riot |
| 276 | Strange Practice | Vivian Shaw | io9 |
| 277 | Sungrazer | Jay Posey | io9 |
| 278 | Suslov’s Daughter | The National | |
| 279 | Talon of God | Wesley Snipes and Ray Norman | io9 |
| 280 | TEARS WE CANNOT STOP: A SERMON TO WHITE AMERICA | Michael Eric Dyson | Kirkus |
| 281 | Tell Me Everything You Don’t Remember: The Stroke That Changed My Life | Christine Hyung-Oak Lee | Book Riot |
| 282 | Temporary People | Deepak Unnikrishnan | Book Riot |
| 283 | Terminal Alliance | Jim C. Hines | io9 |
| 284 | The Abominable Mr. Seabrook | Joe Ollmann | The Globe & Mail |
| 285 | The Accomplished Guest | Ann Beattie | The Millions |
| 286 | The Accusation | Bandi | The Millions |
| 287 | The Age of Anger: A History of the Present | Pankaj Mishra | Vulture |
| 288 | The Answers | Catherine Lacey | Elle |
| 289 | The Baghdad Eucharist | The National | |
| 290 | The Bedlam Stacks | Natasha Pulley | Guardian |
| 291 | The Black Elfstone | Terry Brooks | Entertainment Weekly |
| 292 | The Blot | Jonathem Lethem | The telegraph |
| 293 | The Brightest Fell (October Date #11) | Seanan McGuire | Fully Booked |
| 294 | The Canadaland Guide to Canada (Published in America) | Jesse Brown | The Globe & Mail |
| 295 | The City Always Wins | Omar Robert Hamilton | The Millions |
| 296 | The Comfort Zone | Sally Thorne | Fully Booked |
| 297 | The Core | Peter V. Brett | The Verge |
| 298 | The Delirium Brief | Charles Stross | io9 |
| 299 | The Doctor and the Saint: Caste, Race, and the Annihilation of Caste, The Debate Between B.R. Ambedkar and M.K. Gandhi | Arundhati Roy | Chicago Tribune |
| 300 | The Dragon with a Chocolate Heart | Stephanie Burgis | Random Musings of a Bibliophile |
| 301 | The Dreams of Bethany Mellmoth | BBC | |
| 302 | The Dry | Jane Harper | Elle |
| 303 | The Edge of Everything | Jeff Giles | Entertainment Weekly |
| 304 | The Emperor of Mars | Patrick Samphire | Random Musings of a Bibliophile |
| 305 | The Fact of a Body: A Murder and a Memoir | Alexandria Marzano-Lesnevich | Book Riot |
| 306 | The Fortress at the End of Time | Joe M. McDermott | The Verge |
| 307 | THE FORTUNATE ONES | Ellen Umansky | Kirkus |
| 308 | The Futures | Anna Pitoniak | Nylon |
| 309 | The Gentleman’s Guide to Vice and Virtue | Mackenzi Lee | Buzzfed |
| 310 | The Gift | Barbara Browning | Nylon |
| 311 | The Golden Legend | The National | |
| 312 | The Good Lieutenant | Whitney Terrell | Picador |
| 313 | The Good People | Hannah Kent | Picador |
| 314 | The Grip of It | Jac Jemc | Nylon |
| 315 | The Holocaust | Laurence Rees | The telegraph |
| 316 | The Humans | BBC | |
| 317 | The Inexplicable Logic of my Life | Benjamin Alire Saenz | Fully Booked |
| 318 | The Ippos King (Wraith Kings #3) | Grace Draven | Fully Booked |
| 319 | The Last Kid Left | Rosecrans Baldwin | The Millions |
| 320 | The Last Word: Reviving the Dying Art of Eulogy | Julia Cooper | The Globe & Mail |
| 321 | The Love Interest | Cale Dietrich | Fully Booked |
| 322 | The Lucky Ones | Julianne Pachico | Elle |
| 323 | The Man Who Shot Out My Eye Is Dead: Stories | Chanelle Benz | Book Riot |
| 324 | The Many Reflections of Miss Jane Deming | J. Anderson Coates | Random Musings of a Bibliophile |
| 325 | The Names They Gave Us | Emery Lord | Buzzfed |
| 326 | The Night Ocean | Paul La Farge | The Millions |
| 327 | The One Inside | Sam Shepard | Chicago Tribune |
| 328 | The Passenger | Cormac McCarthy | The Millions |
| 329 | THE PATRIOTS | Sana Krasikov | Kirkus |
| 330 | The Pearl Thief | Elizabeth Wein | Random Musings of a Bibliophile |
| 331 | The Purple Swamp Hen | Penelope Lively | The Millions |
| 332 | The Refrigerator Monologues | Catherynne M. Valente | io9 |
| 333 | The Rift | Nina Allen | io9 |
| 334 | The Roanoke Girls | Amy Engel | The telegraph |
| 335 | The Schooldays of Jesus | J.M. Coetzee | The Millions |
| 336 | The Secret Lives of the Amir Sisters | Nadiya Hussain | The telegraph |
| 337 | The Shadow Cipher | Laura Ruby | Random Musings of a Bibliophile |
| 338 | The Shaw Confessions #1 (Title Forthcoming) | Michelle Hodkin | Buzzfed |
| 339 | The Stone in the Skull | Elizabeth Bear | The Verge |
| 340 | The Things You Can See Only When You Slow Down | Haemin Sunim | Web Writer Spotlight |
| 341 | The Tiger’s Daughter | K. Arsenault Rivera | io9 |
| 342 | The Unaccompanied | Simon Armitage | The telegraph |
| 343 | The Underworld | Kevin Canty | Entertainment Weekly |
| 344 | The Unmade Bed: The Messy Truth About Men and Women in the 21st Century | Stephen Marche | The Globe & Mail |
| 345 | The Windfall | Diksha Basu | Elle |
| 346 | The Witchwood Crown | Tad Williams | io9 |
| 347 | The Woman Next Door | Yewande Omotoso | The Millions |
| 348 | The World to Come | Jim Shepard | Chicago Tribune |
| 349 | There Are More Beautiful Things Than Beyoncé | Morgan Parker | Nylon |
| 350 | Thick As Thieves | Random Musings of a Bibliophile | |
| 351 | This Life I Live: One Man’s Extraordinary, Ordinary Life and the Woman Who Changed It Forever | Rory Feek | Chicago Tribune |
| 352 | This Will Be My Undoing | Morgan Jerkins | The Millions |
| 353 | Three-Fifths a Man: A Graphic History of the African American Experience | Sid Jacobson and Ernie Colón | Time |
| 354 | To Be a Machine | Mark O’Connell | The Millions |
| 355 | To the Farthest Shores | Elizabeth Camden | Overweight Bookshelf |
| 356 | To Wager Her Heart | Tamera Alexander | Overweight Bookshelf |
| 357 | Together | BBC | |
| 358 | Tools of Titans | Timothy Ferriss | Web Writer Spotlight |
| 359 | True to You | Becky Wade | Overweight Bookshelf |
| 360 | Underground Fugue | Margot Singer | Elle |
| 361 | UNTITLED | Jennifer Egan | Great New Books |
| 362 | Untitled Ancillary novel | Ann Leckie | The Verge |
| 363 | Useful Verses | Richard Osmond | Picador |
| 364 | Void Star | Zachary Mason | The Millions |
| 365 | Wait Till You See Me Dance | Deb Olin Unferth | The Millions |
| 366 | Waking Gods | Sylvain Neuvel | The Verge |
| 367 | Wayfarer | Alexandra Bracken | Buzzfed |
| 368 | We’ll All Be Burnt In Our Beds Some Night | Joel Thomas Hynes | The Globe & Mail |
| 369 | When Dimple Met Rishi | Sendhya Melon | Random Musings of a Bibliophile |
| 370 | When I Am Through With You | Stephanie Kuehn | Fully Booked |
| 371 | When You Find Out the World is Against You: And Other Funny Memories About Awful Moments | Kelly Oxford | The Globe & Mail |
| 372 | White Hot (Hidden Legacy #2) & Wildfire (Hidden Legacy #3) | Ilona Andrews | Fully Booked |
| 373 | Wicked Wonders | Ellen Klages | io9 |
| 374 | Winter | BBC | |
| 375 | Winter Tide | Ruthanna Emrys | io9 |
| 376 | With You Always | Jody Hedlund | Overweight Bookshelf |
| 377 | You Too Can Have a Body Like Mine | Alexandra Kleeman | The telegraph |
| Source | Article |
| BBC | Books in 2017: A look ahead |
| Book Riot | ANTICIPATED BOOKS OF 2017 |
| Bustle | 15 Of 2017’s Most Anticipated Fiction Books |
| Buzzfed | 18 YA Books We Can’t Wait To Read In 2017 |
| Chicago Tribune | 34 books we’re excited about in 2017 |
| Elle | The 25 Most Anticipated Books by Women for 2017 |
| Entertainment Weekly | The 23 Most Anticipated Books of 2017 |
| Fully Booked | Most anticipated books for 2017 |
| Great New Books | The GNB Most Anticipated Books of 2017 |
| Guardian | Most anticipated books of 2017 |
| Inverse | The 9 Most Anticipated Fantasy Books of 2017 |
| io9 | The Best Science Fiction and Fantasy Books Coming in 2017 |
| Kirkus | The Most Anticipated Books of 2017 Thus Far |
| Many Books | The Most Anticipated Books of 2017 |
| NY Times | What You’ll Be Reading in 2017 |
| Nylon | 50 Books We Can’t Wait To Read In 2017 |
| Overweight Bookshelf | 17 ANTICIPATED BOOKS OF 2017 |
| Paste | The 10 Most Anticipated Young Adult Books of 2017 |
| Picador | The best new books of 2017 |
| Random Musings of a Bibliophile | Most Anticipated Books of 2017 |
| The Globe & Mail | The most anticipated books of 2017 |
| The Millions | Most Anticipated: The Great 2017 Book Preview |
| The National | New year, new fiction – the most anticipated books for 2017 |
| The telegraph | The best new books in 2017 |
| The Verge | 33 science fiction and fantasy books that everyone will be talking about in 2017 |
| Time | These Are TIME’s Most Anticipated Books of 2017 |
| Vulture | 25 of the Most Exciting Book Releases for 2017 |
| Web Writer Spotlight | 15 Hotly-Anticipated Books of 2017 |
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