“What are the best books to learn about Color and Color Theory?” We looked at 239 of the best books, aggregating and ranking them in an attempt to answer that very question!
The top 49 books, all appearing on 2 or more lists, are listed below with images, descriptions, and links. The remaining books, as well as the sources we used are listed at the bottom of the page.
Happy Scrolling!
A study of the development and use of artists’ colours.
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Chroma: A Book of Color is a meditation on the color spectrum by Britain’s most controversial filmmaker. From the explosions of image and color in Edward II, The Last of England, The Garden, and Wittgenstein, to the somber blacks of his collages and tar paintings, Derek Jarman has consistently used color in unprecedented ways. In his signature style, a lyrical combination of classic theory, anecdote and poetry, Jarman takes the reader through the spectrum, introducing each color as an embodiment of an emotion, evoking memories or dreams.
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It provides a solid and thorough foundation in the aesthetic and practical basics of this all-pervasive subject, with many quotations from artists past and present on the subtleties of their techniques. The material on new technologies has been reorganized abd updated so that pigment mixtures are now explored before light mixtures.
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Faber Bitten pioneered in the field of “functional” color, using color properties to promote human welfare psychologically, visually, and physiologically; in this volume he has assembled a wealth of information on the subject. Color and Human Response offers intriguing factual and hypothetical observations on the influences of color in life, supported by historical references and the latest scientific data. Birren explores the biological, visual, emotional, aesthetic, and psychic responses to color — referring both to ancient symbolic uses of color as well as its application in the modern environment. His specifications for color in homes, offices, hospitals, and schools are geared toward relieving modem tensions and anxieties. Complete with drawings, color photographs, and a chapter on the personal meaning of color preferences, Color and Human Response will fascinate anyone concerned with the human environment, including scientists and psychologists. It has become a basic reference for architects, teachers, and interior and industrial designers.
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When applied in masterful brushstrokes to the built environment, color has an incredible visceral impact on human experience of space. While previous titles have looked at the use of color in print design, Color and Space is the logical next volume, focusing entirely on color in architecture and design. The utilization of color in these projects ranges from entire building interior and exteriors painted matching neon green to painted yellow shadows falling poetically beneath table and store fixtures to giant skyscrapers completely covered in purple and white stained glass panels. Types of spaces featured include retail, restaurants, offices, schools and play spaces, museums, and sporting and event facilities. Commissions for Versace, IBM, Godiva Chocolatier, and Louis Vuitton hold their own against sculptural installations such as Olafur Eliasson’s ‘rainbow panorama’ architectural sky walk on the top level of ARoS Aarhus museum in Denmark – an immersive color wheel in human scale created out of colored glass floor to ceiling windows. Signage, lighting, windows, paint choices, flooring and furniture elements are all considered in this tour of the world s most remarkable and colorful buildings.
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With the help of his own “Quiller Wheel,” a special foldout wheel featuring 68 precisely placed colors, the author shows artists how they can develop their own unique color blends. First, Quiller demonstrates how to use the wheel to interpret color relationships and mix colors more clearly. Then he explains, step by step, how to develop five structured color schemes, apply underlays and overlays, and use color in striking, unusual ways. This book will bring out every artist’s unique sense of color whether he or she works in oil, watercolor, acrylics, gouache, or casein.
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Explains how to make use of colour in oil, acrylic and watercolour painting. Colour theories are outlined, but the main emphasis is on the way contemporary artists actually use colour. The book’s thesis is that once artists have become acquainted with fundamental colour principles, they can begin to have fun with colour and play with it spontaneously. A number of approaches to colour are set forth as a guide, including building a picture with colour blocks, enriching colour with shadows, heightening colour intensity, achieving freshness with broken colour, painting with sunlight, experimenting with abstract colour systems, fantasizing with colour and creating space with colour. Each of the sections of this book are illustrated by the work of artists of historical importance as well as by the work of contemporary artists. There are also a number of development studies of the author’s own work. Each section closes with a group of suggested exercises.
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Create dazzling color schemes for any indoor space. You’ll quickly sharpen your color skills–and open the door to a more rewarding and profitable career with John F. Pile’s Color in Interior Design. He takes the mystery out of working with color, showing you step-by-step how to plan color relationships in an organized and systematic way…prepare color schemes for interiors…make color charts…select materials…put together color samples…work with additive and subtractive color…understand the psychological impact of color…use color in functional spaces…and solve a wide range of practical color problems. This hands-on color design tool packs illustrations of the best color work by well-known professionals–plus a survery of color in historic interiors that will guide you through restoration and adaptive reuse projects.
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Color Inspirations contains some of the very best color palettes, organized by color family in a logical, easy-to-use format. In this complete reference, you’ll discover 3,286 fresh, inspiring color palettes—ready to beapplied to your latest design or project and complete with accurate CMYK, RGB and HEXvalues.This comprehensive book also includes a brief primer on color theory and an inspiration section that will help you discover new color combinations in the world around you. It contains everything you need to find the best color palettes for your project in a snap.
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The Color Manual for Artists has been a standard guide for the artist seeking to enlarge his knowledge of color and his ability to use it effectively.
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The relationship of visual perception to color expression in art is presented here in clear detail. Photographs of representative paintings, explanatory line drawings, and abstract, geometric color plates supplement the text.
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Birren’s work has a strong focus on linking how humans perceive colors to how it makes them react. He writes, “Good smelling colors are pink, lilac, orchid, cool green, aqua blue.” Birren explores the work of several physicians, scientists and doctors, mainly the German psychoanalyst and physician Felix Deutsch, whose findings throw important light not only on medical practice with references to color but on the whole psychology of color. Birren states that if a person prefers warmer colors such as hues of red and oranges, they are likely to me more aware of their social environment.
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This text discusses in detail the four dimensions of color – hue, value, intensity and temperature – with tips for putting knowledge into practice in a variety of disciplines, from painting and other fine arts to interior design, architecture, fashion design, textile design, and graphic design. Feisner and Reed provide an up-to-date discussion of sustainable color applications and green materials as the underlying component of colorants, dyes, and inks in textiles, printmaking and paints. A new chapter on color and digital technology discusses illuminating with color (LED), color tools and management (Pantone), as well as color consulting and marketing. Taking a multidisciplinary approach, this lavishly illustrated edition balances traditional and modern perspectives and examples in all areas of fine art and design.
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This guide explains how colour works in nature and how it can be manipulated to make expressive paintings. After covering the more scientific aspects of colour theory, the author offers information which analyzes a subject in terms of local, tonal, reflected and shadow colour. He demonstrates how to prepare a palette and how to obtain a wide colour range from specific mixtures. He defines and discusses colour harmonies, complements, and contrasts and shows the reader how to use cool and warm hues expressively, and how to juxtapose harmonious or discordant colours to produce different psychological and visual effects.
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This is the go-to guide for designers as it outlines and details the essential color design skills needed to create successful, meaningful, and aesthetically compelling designs. Along with hands-on projects, it offers unique insights into strategy and business when working in the real world with real clients. Color Works starts with basic information on color practices and fundamentals, and then delves more deeply into theory and application on a project-by-project basis. Illustrated with real-world projects and case studies, this book offers a behind-the-scenes take on the design process and the necessary steps to go from concept to final outcome, including the challenges encountered along the way.
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“Discover the tantalizing true stories behind your favorite colors.
For example: Cleopatra used saffron—a source of the color yellow—for seduction. Extracted from an Afghan mine, the blue “ultramarine” paint used by Michelangelo was so expensive he couldn’t afford to buy it himself. Since ancient times, carmine red—still found in lipsticks and Cherry Coke today—has come from the blood of insects.”
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This new text connects color theory with its practical application in two-dimensional visual disciplines–graphic design, illustration, painting, textile art, and textile design. Fundamental color concepts are explored in a series of sixteen painted studies that guide students through a variety of color experiences. The lesson sequence moves logically from basic structural concepts, through experiments with color applications, to scenarios that facilitate color unity and expression.
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Colour and light belong together. But there are hardly any colour theories which address the complex interdependence of colour and light with a direct and sensuous approach. This is the point of departure for the multimedia publication Colour and Light, consisting of a book and DVD, which with practical examples and theoretical explanations combines the interactions between material colours and light as well as that between dynamic light situations in spatial and virtual contexts. The materials in the book are augmented with interactive tools which inspire the direct creative and experimental handling of colour and light phenomena. Extensive photo and video documentations from experiments done with spatial installations or models plus a colour-light-compendium offer manifold suggestions for design practice for teachers, students and all those interested in colour.
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“With over 2600 color combinations, this set is all you’ll need for solutions to your color problems! It contains the original best-selling Color Index and Color Index 2, and together they comprise the most comprehensive color-selection tool out there. Providing multiple palette possibilities for every project, this complete collection is an indispensable tool for designers, illustrators, photographers, crafters, fine artists and others.
Each color palette includes a swatch, an example of the colors used in a design, and accurate CMYK and RGB formulas, making it easy for you to find appropriate colors and implement them immediately. The palettes in Color Index are divided into categories based on the moods they evoke, while the palettes in Color Index 2 are based on color families. No matter your preferred method for searching, you’ll be able to easily reference hundreds of hues at a glance.”
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“Faber Birren, the noted color authority, surveys the color theories of the past and analyzes the palettes and techniques of painters from the Renaissance to 1965. Showing the relationship between color theory and practice, he sets forth a new art of color based on modern scientific research into human perception.
The first part of the book traces the development of color theory, presenting the views of such thinkers as Leonardo da Vinci, Newton, Goethe, Brewster, Hering, Chevreul, Rood, Ostwald, and Munsell. The palettes used by many great painters are described and listed in detail. Modern color theory and color effects based on human perception are fully explained and illustrated. A unique chart of artists’ color samples duplicates visually the palettes of da Vinci, El Greco, Rembrandt, Turner, the Impressionists, and the Abstract Expressionists, enabling the painter of today to match the color effects of these painters.
The second part of the book offers a comprehensive history of painting as seen through the discerning eyes of a color specialist; it contains a wealth of reference material that supports the creative principles outlined in the first section. “
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The book is packed with information on planning color relationships, preparing color schemes for interiors, making color charts, selecting materials, putting together color samples, and working with additive and subtractive color. The author also discusses the psychological impact of color and how color can enhance functional spaces and solve a wide range of practical problems.
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“Color, or more precisely color temperature, is measured in a unit called the Kelvin. The book Kelvin shows some of the effects of the deliberate use of color. Each chapter focuses on a color: green, red, blue, yellow, and orange as well as the achromatic “”colors”” black and white.
This comprehensive book includes recent, top quality design work and documents exciting projects from photography, illustration and product design that deal with color in remarkable ways. Alongside images of clear and distinctive color allocation, Kelvin also includes more intricate and playful examples that illustrate contemporary color combinations. This structure ensures that the reader is introduced to the subject of color in an instructive as well as an associative and experimental way.
Each chapter in Kelvin starts with an essay or interview that puts the selected works into context. The book also investigates complex subject areas such as classic color theory, the meaning of color in various cultures and the effect of color in brand management.”
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“Do you know how to use the push and pull of warm and cool colors to create a feeling of space? Can you generate exciting vibrations through the interplay of complements? Have you ever considered disguising one color in a scene to accent another color? All these possibilities—and more—are discussed and clarified with illustrations.
The lessons on color lead into another essential painting consideration: composition and design. Painting is much more than copying what you see. It involves finding a structure that allows you to organize and thus communicate your impressions and reactions. Dobie encourages artists to experiment with different arrangements of shapes and values to build a dynamic foundation in their paintings. This manual stimulates new ways to think about colour, generating responses that unlock personal creativity and allow artists to express themselves with paint.”
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Opening with an analysis of the painter’s ideal palette and how it is organized with primary, secondary, and intermediate hues, the guide then explores value and intensity, complementary and analogous colors, the ways in which color can be used to evoke moods, express atmospheric conditions, and other essentials relating to color choice and usage. A range of master colorists’ work is also included.
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In this handy fan deck, international color authority Pantone takes the guesswork out of using color in bold and innovative new ways, sharing the wisdom that has made their professional products an essential resource around the globe.
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This is an essential basic book on color, written by the best-known colorist of our time for beginners seeking a thorough grounding in the comprehension and solution of color problems, and for mature artists and teachers interested in keeping abreast of recent findings and conclusions.
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“Color is all around us every day. We use it to interpret the world-red means stop, blue means water, orange means construction. But it is also written into our metaphors, of speech and thought alike: yellow means cowardice; green means envy-unless you’re in Germany, where yellow means envy, and you can be “beat up green and yellow.”
Jude Stewart, a design expert and writer, digs into this rich subject with gusto. What color is the universe? We might say it’s black, but astrophysicists think it might be turquoise. Unless it’s beige. To read about color from Jude Stewart is to unlock a whole different way of looking at the world around us-and bringing it all vividly to life.”
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“Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers.
Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.”
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When the fashion industry declares that lime green is the new black, or instructs us to “think pink!,” it is not the result of a backroom deal forged by a secretive cabal of fashion journalists, designers, manufacturers, and the editor of Vogue. It is the latest development of a color revolution that has been unfolding for more than a century. In this book, the award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These “color stylists,” “color forecasters,” and “color engineers” helped corporations understand the art of illusion and the psychology of color. Blaszczyk describes the strategic burst of color that took place in the 1920s, when General Motors introduced a bright blue sedan to compete with Ford’s all-black Model T and when housewares became available in a range of brilliant hues. She explains the process of color forecasting–not a conspiracy to manipulate hapless consumers but a careful reading of cultural trends and consumer taste. And she shows how color information flowed from the fashion houses of Paris to textile mills in New Jersey. Today professional colorists are part of design management teams at such global corporations as Hilton, Disney, and Toyota. The Color Revolution tells the history of how colorists help industry capture the hearts and dollars of consumers.
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Consisting of eight stencil-like disks that can be placed over ltten’s color wheel to compare cool and warm values, complementary colors, and different hues and intensities, this useful and innovative tool helps designers explore a myriad of harmonious color.
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This masterwork by the renowned 19th century scientist and authority on color is unquestionably one of the greatest books ever written on color.
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All watercolor artists yearn for clean, luminous color in their work, but their hopes are often dashed when they experience the frustration of muddy color. Imagine nearing the end of a painting that’s been coming along beautifully and suddenly finding that the last wash you put down turned out murky, ruining everything. How could you have known that would happen? Jim Kosvanec provides the solution to this baffling obstacle – a logical system that takes the guesswork out of color mixing and leads to predictably clean color combinations every time. The Kosvanec Transparent Watercolor Wheel, included here as a special foldout that can be detached from the book and hung on a studio wall for reference, organizes watercolor pigments into groups based not just on color relationships, like a standard color wheel, but on their specific physical characteristics. There are five groups: transparent non-staining colors, semitransparent nonstaining colors, transparent staining colors, semi-opaque and opaque colors, and whitened and blackened colors (colors that contain some white or black in their makeup). Accompanying the wheel are easy-to-follow guidelines (handily duplicated in chart form on the foldout) that explain how the various color groups interrelate, with specific mixing results. What happens, for example, if you combine a transparent staining color like phthalo blue, with an opaque color, like cadmium red? You get a very dull result. How about if you glaze five different transparent nonstaining colors over one another? You get a result that’s still luminous and transparent. Predicting outcomes like these is what the Kosvanec Transparent Watercolor Wheel and guidelines are all about.Kosvanec backs up his color mixing system with examples from each color grouping. To show how the system applies to real painting situations, he includes detailed step-by-step demonstrations of several of his own works, plus in-depth analyses of a dozen beautiful paintings
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Understanding Color is an essential resource for those needing to become proficient in color for business applications. The peerless treatment of this critical subject is beautifully illustrated with real-world examples. Designers have turned to this guide for nearly a generation for its authoritative and accessible instruction.
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Color is what you make it: sensitive, explosive, dreamlike, atmospheric, somber, cheerful. Nita Leland brings logic and intuition together to create a foundation for color selections that allow you to be more inventive, break out of old habits and experiment with new colors. Her approach eliminates time-wasting trial and error while giving you the freedom to use color in personal, meaningful and exciting ways.
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“To the basic grammar of color and form presented in the first edition of Dimensional Color, Lois Swirnoff adds a chapter on color structure and expands one on color and light.
Exploring the interaction between light, color, and surfaces, the book provides an invaluable tool for the teaching and practice of color in architecture and design.”
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Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, d cor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.
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“Why is the sky blue, the grass green, a rose red? Most of us have no idea how to answer these questions, nor are we aware that color pervades nearly all aspects of life, from the subatomic realm and the natural world to human culture and psychology.
Organized into chapters that begin with a fascinating explanation of the physics and chemistry of color, The Secret Language of Color travels from outer space to Earth, from plants to animals to humans. In these chapters we learn about how and why we see color, the nature of rainbows, animals with color vision far superior and far inferior to our own, how our language influences the colors we see, and much more. Between these chapters, authors Joann Eckstut and Ariele Eckstut turn their attention to the individual hues of the visible spectrum?red, orange, yellow, green, blue, and violet?presenting each in fascinating, in-depth detail.”
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From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.
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“Color is fundamental to life and art yet so diverse that it has seldom been studied in a comprehensive way. This ground-breaking analysis of color in Western culture from the ancient Greeks to the late twentieth century is a John Gage triumph. With originality and erudition, he describes the first theories of color articulated by philosophers from Democritus to Aristotle and the subsequent attempts by the Romans and their Renaissance disciples to organize color systematically or endow it with symbolic power. The place of color in religion, Newton’s analysis of the spectrum, Goethe’s color theory, and the theories and practices that have attempted to unite color and music are among the intriguing topics this award-winning book illuminates.
With a large classified bibliography, discursive footnotes, and an exhaustive index, Color and Culture is an invaluable resource for artists, historians of art and culture, psychologists, linguists, and anyone fascinated by this most inescapable and evocative element of our perceptions.”
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“From New York Times best-selling author of the Dinotopia series, James Gurney, comes a carefully crafted and researched study on color and light in paintings. This art instruction book will accompany the acclaimed Imaginative Realism: How to Paint What Doesn’t Exist.
James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art’s most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist.”
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“Millions of people have learned to draw using the methods of Dr. Betty Edwards’s bestseller The New Drawing on the Right Side of the Brain. Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This much-awaited new guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations.
Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and-for those involved in art, painting, or design-how to mix and combine hues. “
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“Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage’s latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted.
Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator’s workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse.”
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Theory of Colours is a book by Johann Wolfgang von Goethe about the poet’s views on the nature of colours and how these are perceived by humans. Published in 1810, it contains detailed descriptions of phenomena such as coloured shadows, refraction, and chromatic aberration. The work originated in Goethe’s occupation with painting and mainly exerted an influence onto the arts (Philipp Otto Runge, J. M. W. Turner, the Pre-Raphaelites, Wassily Kandinsky). Although Goethe’s work was rejected by physicists, a number of philosophers and physicists have concerned themselves with it, including Thomas Johann Seebeck, Arthur Schopenhauer (see: On Vision and Colors), Hermann von Helmholtz, Rudolf Steiner, Ludwig Wittgenstein, Werner Heisenberg, Kurt Godel, and Mitchell Feigenbaum. Goethe’s book provides a catalogue of how colour is perceived in a wide variety of circumstances, and considers Isaac Newton’s observations to be special cases. Unlike Newton, Goethe’s concern was not so much with the analytic treatment of colour, as with the qualities of how phenomena are perceived. Philosophers have come to understand the distinction between the optical spectrum, as observed by Newton, and the phenomenon of human colour perception as presented by Goethe—a subject analyzed at length by Wittgenstein in his exegesis of Goethe in Remarks on Colour.
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Josef Albers’s Interaction of Color is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Albers’s singular explanation of complex color theory principles. Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since. With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on color, as pioneering today as when Albers first created it. Fifty years after Interaction’s initial publication, this new edition presents a significantly expanded selection of close to sixty color studies alongside Albers’s original text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency and reversed grounds. A celebration of the longevity and unique authority of Albers’s contribution, this landmark edition will find new audiences in studios and classrooms around the world.
| # | Book | Author | Lists |
| (Books Appear On 1 Lists Each) | |||
| 50 | 2000 Color Combinations: For Graphic, Textile, and Craft Designers (Paperback) | Garth Lewis | Goodreads |
| 51 | A Color Notation | Albert Munsell | Nita Leland |
| 52 | A Pocket Guide to Color, With Digital Applications | Thomas Schildgen | Nita Leland |
| 53 | Adaptive Coloration in Animals | Hugh Cott | The Guardian |
| 54 | Alla Prima | Noah Bradley | |
| 55 | Architectural Color: A Design Guide to Using Color on Buildings | Tom Porter | Nita Leland |
| 56 | Art & Fear | Noah Bradley | |
| 57 | Artist’s Color Manual | About | |
| 58 | Artist’s Guide to Selecting Colors | Michael Wilcox | Nita Leland |
| 59 | Artists’ Pigments: A Handbook of Their History & Characteristics | Elisabeth W. Fitzhugh | Writer 2001 |
| 60 | Basic Color Terms: Their Universality and Evolution | Brent Berlin and Paul Kay | Writer 2001 |
| 61 | Blue: The History of a Color (Hardcover) | Michel Pastoureau | Goodreads |
| 62 | Bluets (Paperback) | Maggie Nelson | Goodreads |
| 63 | Business and Technological Dynamics in Newly Industrializing Asia (Hardcover) | Wenlee Ting | Goodreads |
| 64 | Capturing Radiant Color in Oils | Susan Sarback | Nita Leland |
| 65 | Color & Mastering For Digital Cinema | Jonnuelwyn | |
| 66 | Color + Design: Transforming Interior Space | Ronald L. Reed | Worqx |
| 67 | Color and Cloth : The Quiltmaker’s Ultimate Workbook Quilt Digest, 1995 | Mary Penders | Nita Leland |
| 68 | Color and Fiber | Patricia Lambert | Nita Leland |
| 69 | Color and How to Use It | William Powell | Nita Leland |
| 70 | Color and Light in Oils Batsford, 1005 | Nicholas and Robin Capon Verrall | Nita Leland |
| 71 | Color Bytes: Blending the Art and Science of Color | Jean Bourges | Nita Leland |
| 72 | Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology | Charles Riley | Nita Leland |
| 73 | Color Concepts | North Light Shop | |
| 74 | Color Confidence for Quilters | Jinny Beyers | Nita Leland |
| 75 | Color Design Workbook: A Real-World Guide to Using Color in Graphic Design (Hardcover) | Sean Adams | Goodreads |
| 76 | Color Essentials: A Painter’s Guide | North Light Shop | |
| 77 | Color Exercises for the Painter | Lucia Salemme | Nita Leland |
| 78 | Color Exercises for the Weaver | Palmy Weigle | Nita Leland |
| 79 | Color for Designers: Ninety-five things you need to know when choosing and using colors for layouts and illustrations (Creative Core) | Jim Krause | Goodreads |
| 80 | Color for Impact | Jan V White | Nita Leland |
| 81 | Color for Interior Architecture | Mary C. Miller | Worqx |
| 82 | Color for Painters: A Guide to Traditions and Practice | AL GURY | Hub Pages |
| 83 | Color for the Electronic Age | Jan V White | Nita Leland |
| 84 | Color for the Watercolor Painter | Tom Hill | Nita Leland |
| 85 | Color Harmony 2 | Bride Whelan | Nita Leland |
| 86 | Color Image Scale | Shigenobu Kobayashi | Nita Leland |
| 87 | Color in Art: a tribute to Arthur Pope, James M. Carpenter | Writer 2001 | |
| 88 | Color in Decoration | Annie & Kate Gwynn Sloan | Nita Leland |
| 89 | Color in Interior Design and Architecture | Robert Ladau | Nita Leland |
| 90 | Color in Sketching & Rendering | Arthur Guptill | Nita Leland |
| 91 | Color Index (Vinyl) | Jim Krause | Goodreads |
| 92 | Color Magic for Quilters: Absolutely the Easiest, Most Successful Method for Choosing Colors and Fabrics to Create Quilts You’ll Love | Ann and Joyce Stewart Seely | Nita Leland |
| 93 | Color Manual | Stephen Sidelinger | Nita Leland |
| 94 | Color Me Beautiful | Carole Jackson | Nita Leland |
| 95 | Color Measurement, Themes and Variations | David L. MacAdam | Writer 2001 |
| 96 | Color Mixing Bible | About | |
| 97 | Color Mixing for Artists | John Lidzey | Nita Leland |
| 98 | Color Mixing the Van Wyk Way: A Manual for Oil Painters | Helen Van Wyk | Nita Leland |
| 99 | Color Observed | Enid Verity | Nita Leland |
| 100 | Color Structure and Design | Richard Ellinger | Nita Leland |
| 101 | Color Systems in Art and Science | Silvestrini and Fischer | Nita Leland |
| 102 | Color Theory Made Easy: A New Approach to Color Theory and How to Apply It to Mixing Paints | Jim Ames | Nita Leland |
| 103 | Color Theory: For Oil and Watercolor | North Light Shop | |
| 104 | Color Workbook | Becky Koenig | Nita Leland |
| 105 | Color-by-Color Guide to Watercolor | Zoltan Szabo | Nita Leland |
| 106 | Color, Form and Space | Faber Birren | Nita Leland |
| 107 | Color: A Survey in Words and Pictures | Faber Birren | Nita Leland |
| 108 | Color: A Visual History of Color from Its Ancient Beginnings to the Works of Modern Masters | Alison Cole | Nita Leland |
| 109 | Color: Essence and Logic | Rolf G Kuehni | Nita Leland |
| 110 | Color: How to See It, How to Paint It | Judy Martin | Nita Leland |
| 111 | Color: Light, Sight, Sense | Moritz Zwimpfer | Nita Leland |
| 112 | Color: Messages & Meanings: A Pantone Color Resource (Paperback) | Leatrice Eiseman | Goodreads |
| 113 | Color: Travels Through the Paintbox | About | |
| 114 | Colorful Illusions | Aki Nurosi | Nita Leland |
| 115 | Coloritto | J.C. LeBlon | Nita Leland |
| 116 | Colors From Nature: Growing, Collecting and Using Natural Dyes | Bobbi McRae | Nita Leland |
| 117 | Colors from the Earth, The Artist’s Guide to Collecting, Preparing, and Using Them | Anne Wall Thoma | Writer 2001 |
| 118 | Colorstrology. | Michele Bernhardt | Nita Leland |
| 119 | Colour | Rudolf Steiner | Nita Leland |
| 120 | Colour | Helen Varley | Nita Leland |
| 121 | Colour and Colour Theories | Dr. Christine Ladd-Franklin | Writer 2001 |
| 122 | Colour Based on NatureI | RMA BOOM | Designers & Nooks |
| 123 | Colour Correction Handbook, 2nd Edition | Alexis Van Hurkman | Jonnuelwyn |
| 124 | Colour for the Artist | Hans Schwarz | Nita Leland |
| 125 | Colour in Art | About | |
| 126 | Colour: Art & Science | Trevor Lamb | Nita Leland |
| 127 | Colour: Why the World Isn’t Grey | Hazel Rossotti | Nita Leland |
| 128 | Controlled Painting: A sound approach to realistic painting in oil and acrylics, | Frank Covino | Writer 2001 |
| 129 | Controlling Color: A Practical Introduction for Designers and Artists.Design, 1991 | Patricia Lambert | Nita Leland |
| 130 | Creative Color | Faber Birren | Nita Leland |
| 131 | Creative Painting Series: Color | Gemma and Josep Asunción Guasch | Nita Leland |
| 132 | DaVinci Resolve 10 Manual | Jonnuelwyn | |
| 133 | Design and Form: The Basic Course at the Bauhaus and Later, Revised Edition | JOHANNES ITTEN | Worqx |
| 134 | Design Elements: A Graphic Style Manual (Paperback) | Timothy Samara | Goodreads |
| 135 | Designer’s Color Manual | Tom and Adam Banks Fraser | Nita Leland |
| 136 | Digital Colour for the Internet and Other Media | CAROLA ZWICK | Designers & Nooks |
| 137 | Digital Colour for the Internet and Other Media (Paperback) | Susanne Stage | Goodreads |
| 138 | Dynasty of Light | Alan Shijo McManus Burner | Harding |
| 139 | Elements of Color: A Treatise on the Color System of Johannes Itten Based on His Book the Art of Color | Johannes Itten | Nita Leland |
| 140 | Endless Forms: Charles Darwin and the Visual Arts | Diana Donald and Jane Munro (eds) | The Guardian |
| 141 | Energize Your Paintings With Color | Lew Lehrman | Nita Leland |
| 142 | Everybody Was Kung Fu Fighting: Afro-Asian Connections and the Myth of Cultural Purity (Paperback) | Vijay Prashad | Goodreads |
| 143 | Evolution in Color | Frans Gerritsen | Nita Leland |
| 144 | Exploring Color Coloring Book | Nita Leland | Nita Leland |
| 145 | Exploring Color: How to Use and Control Color in Your Painting | Nita Leland | Nita Leland |
| 146 | Ferguson’s Fault Lines: The Race Quake That Rocked a Nation (Paperback) | Kimberly Jade Norwood | Goodreads |
| 147 | Figure Drawing for All It’s Worth | Noah Bradley | |
| 148 | Guide to Watercolor Paints | Hilary Page | Nita Leland |
| 149 | Hawthorne on Painting | Noah Bradley | |
| 150 | Hilary Page’s Guide to Watercolor Paints | Hub Pages | |
| 151 | Historical Color Guide: Primitive to Modern Times with Thirty Plates in Color | ELIZABETH BURRIS-MEYER | Designers & Nooks |
| 152 | How Pictures Work | Noah Bradley | |
| 153 | If you’re daring: Interaction | Josef Albers | Breed |
| 154 | Imaginative Realism | Noah Bradley | |
| 155 | Impact of Modern Paints | Crook & Learner | Nita Leland |
| 156 | Interior Design | John Pile | Worqx |
| 157 | Interpreting the Figure in Watercolor | Don Andrews | Nita Leland |
| 158 | Invisible Man | Ralph Ellison | The Guardian |
| 159 | Irma Boom – Colour Based On Nature (Paperback) | Irma Boom | Goodreads |
| 160 | Jazz | Henri Matisse | The Guardian |
| 161 | John Gage, Colour and Culture, Practice and Meaning from Antiquity to Abstraction | The Guardian | |
| 162 | Jonathan Adler on Happy Chic Colors | JONATHAN ADLER | Designers & Nooks |
| 163 | Keys to Painting: Color and Value | Rachel Rubin Wolf | Nita Leland |
| 164 | Light and Color in Nature and Art | Williamson and Cummins | Nita Leland |
| 165 | Light, Color and Environment | Faber Birren | Nita Leland |
| 166 | Lights and pigments : colour principles for artists, | Roy Osborne | Writer 2001 |
| 167 | Living Colors: The Definitive Guide to Color Palettes Through the Ages | Margaret & Augustine Hope Walch | Nita Leland |
| 168 | Look Book Creative Grading Techniques | Alexis Van Hurkman | Jonnuelwyn |
| 169 | Looking Good in Color: The Desktop Publisher’s Design Guide | Gary Priester | Nita Leland |
| 170 | Mastering Color Cinn: North Light, 2006 | Vicky McMurry | Nita Leland |
| 171 | Mastering Color: The essentials of color illustrated with oils | Vicki Murry | Nita Leland |
| 172 | Mauve | Simon Garfield | Print Mag |
| 173 | Messages from Psyche | Philip Howse | The Guardian |
| 174 | Modern Chromatics | Ogden Rood | Nita Leland |
| 175 | Mouse Paint (Board Book) | Ellen Stoll Walsh | Goodreads |
| 176 | Notan: The light-dark principle of design | Dorr Bothwell | Worqx |
| 177 | Oil Painting Techniques and Materials | Noah Bradley | |
| 178 | Optiks | Sir Isaac Newton | Nita Leland |
| 179 | Ostensibly There is Colour | Democritus | The Guardian |
| 180 | Paint & Colors: What Every Artist Needs to Know | David Pyle | Nita Leland |
| 181 | Painting Color: Best of Watercolor | Betty Lou Schlemm | Nita Leland |
| 182 | Paints, Inks and Dyes: The Story of Colors at Work Holiday House, 1974 | Richard Lyttle | Nita Leland |
| 183 | Palette 01: Black & White | VICTION:ARY | Designers & Nooks |
| 184 | Palette 02: Multicolour | VICTION:ARY | Designers & Nooks |
| 185 | Palette 03: Gold & Silver | VICTION:ARY | Designers & Nooks |
| 186 | Palette 04: Neon | VICTION:ARY | Designers & Nooks |
| 187 | Pantone Guide to Communicating with Color (Paperback) | Leatrice Eiseman | Goodreads |
| 188 | Patchwork Persuasion- Print on Demand Edition (Paperback) | Joen Wolfrom | Goodreads |
| 189 | PowerColor | Caroline Jasper | Nita Leland |
| 190 | Primary Sources: Selected Writings on Color From Aristotle to Albers.Design, 1991 | Patricia Sloane | Nita Leland |
| 191 | Principles of Color Design, 2nd ed | Wucius Wong | Nita Leland |
| 192 | Principles of Color Technology | Fred and Max Saltzman Bilmeyer | Nita Leland |
| 193 | Principles of Harmony and Contrast of Colors and Their Applications to the Arts | M Chevreul | Nita Leland |
| 194 | Real World Color Management | Bruce Fraser | Nita Leland |
| 195 | Seven Deadly Colours: The Genius Of Nature’s Palette And How It Eluded Darwin (Unknown Binding) | Andrew Parker | Goodreads |
| 196 | The Ancient Art of Color Therapy: Updated, Including Gem Therapy, Auras, and Amulets , | Linda Clark | Writer 2001 |
| 197 | The Art & Technique of Digital Color Correction | Steve Hullfish | Jonnuelwyn |
| 198 | The Art of Color and Design | Maitland Graves | Nita Leland |
| 199 | The Art Spirit | Noah Bradley | |
| 200 | The Artist’s Handbook of Materials and Techniques | Ralph Mayer | Nita Leland |
| 201 | The Artist’s Illustrated Encylopedia: Techniques, Materials & Terms | Phil Metzger | Nita Leland |
| 202 | The Color Book | Wendon Blake | Nita Leland |
| 203 | The Color Compendium | Augustine Hope | Nita Leland |
| 204 | The Colour Eye | Cumming and Porter | Nita Leland |
| 205 | The Complete Book of Color: Using Color for Lifestyle, Health and Well-Being | Suzy Chiazzari | Nita Leland |
| 206 | The Darker Nations: A People’s History of the Third World (Hardcover) | Vijay Prashad | Goodreads |
| 207 | The Enjoyment and Use of Color | Walter Sargent | Nita Leland |
| 208 | The Essential Guide to Color Knitting Techniques (Hardcover) | Margaret Radcliffe | Goodreads |
| 209 | The Forms of Color: The Interaction Of Visual Elements | Karl Gerstner | Nita Leland |
| 210 | The Garden Color Book | Paul Williams | Nita Leland |
| 211 | The Horse’s Mouth | Joyce Cary | The Guardian |
| 212 | The Karma Of Brown Folk (Paperback) | Vijay Prashad | Goodreads |
| 213 | The Materials and Techniques of Painting, with a Supplement on Color Theory, | Kurt Wehlte | Writer 2001 |
| 214 | The New Dyer With Colorcue Hue Analysis Aide | Sally Vinroot | Nita Leland |
| 215 | The New Munsell Student Color Set, 3rd Edition | Jim Long | Worqx |
| 216 | The Organization of Color | Richard Gordon Ellinger | Harding |
| 217 | The Practice and Science of Drawing | Noah Bradley | |
| 218 | The Primary Colors: Three Essays | Alexander Theroux | Nita Leland |
| 219 | The Principles of Light and Color. | Edwin S Babbitt | Nita Leland |
| 220 | The Psychology of Color and Design | Deborah Sharpe | Nita Leland |
| 221 | The Spirit of Colors: The Art of Karl Gerstner | Karl Gerstner | Nita Leland |
| 222 | The Symbolism of Color | Faber Birren | Nita Leland |
| 223 | The Venetian Vespers | Anthony Hecht | The Guardian |
| 224 | The Visual Nature of Color | Patricia Sloane | Nita Leland |
| 225 | The Watercolorist’s Complete Guide to Color | Tom Hill | Nita Leland |
| 226 | The White Man’s Burden: Historical Origins of Racism in the United States (Paperback) | Winthrop D. Jordan | Goodreads |
| 227 | Theory and Practice of Color: A Color Theory Based On the Laws of Perception | Frans Gerritsen | Nita Leland |
| 228 | Theory and Use of Color | Luigina De Grandis | Nita Leland |
| 229 | Tricia Guild: Colour Deconstructed | TRICIA GUILD | Designers & Nooks |
| 230 | Tricia Guild: Decorating with Color | TRICIA GUILD | Designers & Nooks |
| 231 | Vowels | Rimbaud | The Guardian |
| 232 | Watercolor Artist’s Guide to Exceptional Color | Hub Pages | |
| 233 | Watercolor Mixing: the 12-hue Method | Christopher Willard | Nita Leland |
| 234 | Watercolor Secrets International Artist, 2000 | Tom Lynch | Nita Leland |
| 235 | Watercolorist’s Guide to Mixing Colors | Jenny Rodwell | Nita Leland |
| 236 | Weaving & Needlework Color Course | William & Doris Justema | Nita Leland |
| 237 | What Is a Color? (Hardcover) | Martin Provensen | Goodreads |
| 238 | White Over Black: American Attitudes Toward the Negro, 1550-1812 (Paperback) | Winthrop D. Jordan | Goodreads |
| 239 | Working With Color: A Manual for Painters | Irving Kriesberg | Nita Leland |
| Source | Article |
| About | Top 7 Books on Color (and Color Mixing) for Artists |
| Breed | 6 Books That Will Help You Understand Color Theory |
| Designers & Nooks | 21 Books on Color and Design |
| Goodreads | Popular Color Theory Books |
| Harding | Color Books |
| Hub Pages | The Best Art Books – Colour |
| Jonnuelwyn | 5 Books on Colour Grading And Colour Science |
| Nita Leland | Nita Leland’s Color & Color Theory Book List |
| Noah Bradley | 10 Books Every Artist Must Read |
| North Light Shop | These are our Most Popular Books on Color Theory & Color Mixing |
| Print Mag | 7 Books About Color Every Designer (and Color Fan) Should Own |
| The Guardian | Peter Forbes’s top 10 books on colour |
| Thinkful | Color Theory Basics |
| Worqx | BOOKS ABOUT COLOR & COLOR THEORY |
| Writer 2001 | Colour Theory |
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